David Allan Coe, a defining figure in the outlaw country movement, has died at the age of 86.

The singer-songwriter rose to prominence in the 1970s with a style that blended raw storytelling and rebellion, helping shape a generation of country music.

Known for songs like “You Never Even Called Me by My Name” and “Longhaired Redneck,” Coe remained a polarizing but influential figure throughout his career.

An Outlaw Country Voice

Coe found fame as part of country music’s outlaw movement, standing alongside artists who pushed back against the genre’s more polished Nashville sound.

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He later scored hits in the 1980s with songs like “The Ride” and “Mona Lisa Lost Her Smile,” further cementing his place in country history.

Though he released more than 40 studio albums, his impact extended beyond his own recordings.

A Songwriter’s Legacy

Some of Coe’s biggest successes came through other artists.

Tanya Tucker took his song “Would You Lay With Me (In a Field of Stone)” to No. 1 in 1973, while Johnny Paycheck topped the charts in 1977 with “Take This Job and Shove It,” which also earned Coe a Grammy nomination.

His ability to write songs that connected with a wide audience helped define his legacy in Nashville.

A Complicated Past

Born in Akron, Ohio, in 1939, Coe spent much of his early life in reform schools and correctional facilities, where he first began writing music.

After his release in the late 1960s, he moved to Nashville to pursue a career, at times busking on the street before finding success.

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His career was not without controversy. Coe faced criticism over the years for lyrics that included racial stereotypes and for his use of Confederate imagery, though he denied being racist.

Life Beyond the Music

Coe was married multiple times and had several children, some of whom followed creative paths of their own.

His son, Tyler Coe, became known for the Cocaine & Rhinestones podcast and was once part of his father’s band.

Despite personal ups and downs, Coe’s influence on country music — particularly within the outlaw movement — remains significant.

30 Outlaw Country Songs That Define The Movement

With its roots in the '60s and the honky-tonk style forged by Hank Williams, outlaw country music began to snowball in the '70s as more and more artists bristled against the genre's commercialism, social conventions and the slick and shiny "Nashville Sound."

Though some artists like Johnny Paycheck and David Allan Coe had served jail time before their success, the "outlaw" label applied more broadly to those artists who rejected the status quo in Nashville. Many of the definitive songs of the movement speak directly to that rebellion, while others simply embody an artist-driven, independent musical vision that sidestepped Nashville's country hit formula of the day.

Keep reading for a round-up of 30 songs that define the outlaw country movement.

Gallery Credit: Carena Liptak